Posts Tagged ‘Sophie Demay’

Photos from The Past The Present & The Possible: Barney Bubbles exhibition in Chaumont

Wednesday, June 13th, 2012
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//Photo: R. Pelletier.//

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//Photo: Pierrick Mouton.//

The Past The Present & The Possible was the title of the section in graphics music exhibition White Noise devoted to Barney Bubbles and curated by Reasons To Be Cheerful author Paul Gorman with artist/curator Sophie Demay and Etienne Hervy, director of the International Graphics & Poster Festival held every year in Chaumont, France.

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//Photo: R. Pelletier.//

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Barney Bubbles exhibition opens on Saturday

Tuesday, May 22nd, 2012

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This Saturday (May 26) sees the opening at Les Subsistances gallery in Chaumont, France, of the exhibition Barney Bubbles: The Past, The Present & The Possible.

This is part of the group show White Noise: Quand le graphisme fait du bruit (When graphics make the noise), which is co-curated by Sophie Demay and Etienne Hervy and coincides with Chaumont’s 23rd International Poster & Graphic Design Festival.

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Barney Bubbles’ work in French exhibition this summer

Monday, April 9th, 2012
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//4 x 12" colour variants, back cover, My Aim Is True, Elvis Costello, Stiff Records, 1977.//

Selected works by Barney Bubbles will appear in  this summer’s group exhibition about the visual language of music, White Noise: Quand le graphisme fait du bruit (When graphics make the noise) at the 23rd International Poster & Graphic Design Festival in Chaumont, France, from May 26 to June 10.

White Noise is being put together by Sophie Demay and Étienne Hervy, the Chaumont festival artistic director and former editor of French graphics magazine Etapes, and includes contributions from a number of contemporary graphic artists – read more here.

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//Back cover + outer bag, Oora, Edgar Broughton Band, Harvest, 1973.//

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//Front covers, clockwise from bottom left: Neat Neat Neat, The Damned, Stiff, 1977; Damned Damned Damned, The Damned, Stiff, 1977; Boogie On The Street, Lew Lewis, Stiff, 1976 (not Barney Bubbles design); Save The Wail, Lew Lewis Reformer, Stiff, 1979; One Chord Wonders, The Adverts, Stiff, 1977; Whole Wide World, Wreckless Eric, Stiff, 1977.//

Here are some more of Sophie’s shots taken during a recent run-through of potential exhibits:

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