Posts Tagged ‘Peter Barnes’

More photos from the Process private view

Tuesday, September 28th, 2010

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Courtesy of Chelsea Space director Donald Smith, here are some more photos underlining what fun was had at last week’s private view for Process. These and others will soon appear on the Chelsea Space site.

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Video commissioner Cynthia Lole, Caz Facey, writer Nick Vivian and Jake Riviera view the exhibits.

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Donald Smith with writer Chris Salewicz and Jerry Dammers.

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Designer Olaf Parker with writer/curator Paul Gorman.

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Musician Leo Williams with Paprika and Leo Junior.

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Painter and former Kilburn & The High Roads member Humphrey Ocean with the 1977 Psstt! ad featuring himself and Ian Dury.

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Jake Riviera, music publisher Peter Barnes, Mick Jones and Nick Vivian.

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Kate Moross and her VJing team.

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Clothier Lloyd Johnson whispers to arts event organiser Michael Barnett while musician Bruce Marcus chats to the V&A’s Catherine Flood.

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Mick Jones and Jerry Dammers.

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Nick Lowe talks Barney.

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Chelsea College’s Nobby Graham and Lloyd Johnson.

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Writer/filmmaker Paul Tickell looks on as artist Bruce Maclean strikes a Blockhead pose.

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Musician/writer Dave Barbarossa and his wife Alison view the music press ads.

 

Process: Pictures from our exhibition

Saturday, September 18th, 2010

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Process: The working practices of Barney Bubbles uses the three areas of Chelsea Space to guide visitors through the methods by which this master designer realised his audacious creations.

And there’s a continuous soundtrack of the music for which he designed, from Cressida to Costello, from Hawkwind to The Damned, from Iggy Pop & James Williamson to Red Dirt.

In the entrance to Chelsea Space is selected ephemera – adverts, badges, music press ads, stickers – as well as books, magazines and other finished artwork and designs, including the rug made in the image of a panel on the cover of Brewing Up With Billy Bragg.

There is also a showreel of 10 of the videos directed by Bubbles (including two never publicly displayed before: Incendiary Device and Darling, Let’s Have Another Baby for Johnny Moped).

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A face-off is conducted between Elvis Costello (in 1977’s Warholian 60″ x 40″ Live Stiffs poster) and Chuck Berry (in the form of the wall-mounted sculpture created by Bubbles for music publisher Peter Barnes) at each end of the ramp.

On the ramp wall are posters, sleeves and other exhibits denoting approaches, recurrent themes and areas such as art direction, colour usage, application of symbols, photographic treatment, geometric arrangement, etc.

In the main room there is no finished artwork, excepting a copy of Damned Damned Damned with it’s deliberate printing error, and an NME Book Of Modern Music to demonstrate from whence Bubbles was taking his design leads at the time of production.

Sketches and proposals, along with personal effects, influences, paintings and sketchbooks rest on plinths and trestles colour-schemed to a typically exuberant Bubbles palette.

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The walls are lined with pen and ink artwork, PMTs (Photo Mechanical Transfers), proofs, proposals, paste-ups, photography, etc. There’s a guide to the technical aspects of producing artwork in the pre-digital age, as well as a professional CV.

If you get the chance, do drop by; we’re around a lot of the time so can be on hand to talk you through the show and answer any questions.

Video and music track listings for the show are available here.

All photos Donald Smith.

Exhibition diary Day 5: Erecting Chuck Berry

Tuesday, September 7th, 2010

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OK so, for the show, the Lower Space and Ramp of Chelsea Space will exhibit finished artwork and ephemera.
Once you enter the main room – the Upper Space – there will be examples of all of the stages and methods of production: inspiration and influences, references, paste-ups, PMTs, proofs, sketches, art-books, equipment, etc.
Today we embarked on installing the wall-mounted sculpture of Chuck Berry (contributed by music publisher Peter Barnes) at the far end of the Ramp.