Courtesy of Chelsea Space director Donald Smith, here are some more photos underlining what fun was had at last week’s private view for Process. These and others will soon appear on the Chelsea Space site.

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Video commissioner Cynthia Lole, Caz Facey, writer Nick Vivian and Jake Riviera view the exhibits.

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Donald Smith with writer Chris Salewicz and Jerry Dammers.

Designer Olaf Parker with writer/curator Paul Gorman.

Musician Leo Williams with Paprika and Leo Junior.

Painter and former Kilburn & The High Roads member Humphrey Ocean with the 1977 Psstt! ad featuring himself and Ian Dury.

Jake Riviera, music publisher Peter Barnes, Mick Jones and Nick Vivian.

Kate Moross and her VJing team.

Clothier Lloyd Johnson whispers to arts event organiser Michael Barnett while musician Bruce Marcus chats to the V&A’s Catherine Flood.

Mick Jones and Jerry Dammers.

Nick Lowe talks Barney.

Chelsea College’s Nobby Graham and Lloyd Johnson.

Writer/filmmaker Paul Tickell looks on as artist Bruce Maclean strikes a Blockhead pose.

Musician/writer Dave Barbarossa and his wife Alison view the music press ads.

In 1978 painter Humphrey Ocean dipped his toe back into the music business with the one-off charmer Whoops A Daisy for Stiff Records, a suitably quirky ditty written by his Kilburn & the High Roads bandmate Ian Dury.

The man born Humphrey Anthony Erdeswick Butler-Bowdon had opted out of playing bass for the Kilburns a few years earlier to concentrate on his art, occasionally contributing to record covers for the likes of Wings and 10cc.

7in sleeve. Front cover, Whoops A Daisy/Davey Crockett, Stiff, 1978.

The winsome Whoops A Daisy was backed by a cracking version of the 50s film theme The Ballad of Davy Crockett and wrapped in a wonderful Barney Bubbles sleeve using Chris Gabrin’s photographs of Ocean performing the elaborate dance moves he had recently enacted on the Stiffs Live Stiffs tour.

7in sleeve. Back cover, Whoops A Daisy/Davey Crockett, Stiff, 1978.

These were exaggerated by the huge white suit Ocean had bought in Brixton Market during his time in the Kilburns.

Sleeve lettering, front cover.

Barney decorated the sleeve with detailed lettering (the H on the back from interlinked horseshoes to match the rhyming-slang name of Ocean’s backing musicians, Iron Hoof) and on release there was also a version of the black and white sleeve featuring blue spot-colour.

Sleeve lettering, back cover.

The accompanying poster was a delight. With Ocean’s name picked out in dance-step style, 35 frames from the Chris Gabrin shoot were presented  in sequence with the instruction: “Cut poster out and make Humphrey Ocean’s Daisy Disco Do It My Way flickbook.”

Poster 30in x 20in, Stiff, 1978.

We’ve put them together here to accompany the tune:

And here Ocean is called to the stage to join the Sex & Drugs & Rock & Roll finale of the Stiff tour and shows us how it’s done: