Archive for April, 2012

Bob Andrews’ Cracking Up grin

Friday, April 20th, 2012
mouthsvertical

Top: Detail, Music press ad for The Rumour, 1979. Below: Detail, front cover, Cracking Up, Nick Lowe, 1979.

The collaged waving hand/face on the sleeve of Nick Lowe’s 1979 single Cracking Up is one of Barney Bubbles’ most recognisable creations, assisted into prominence by its usage on the front of Reasons To Be Cheerful.

The toothy grin was clipped from a photo of keyboard-player Bob Andrews, one-time colleague of Lowe’s in Brinsley Schwarz (and before that in 60s pop band Kippington Lodge) and one of Graham Parker’s collaborators as a member of The Rumour.

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Barney Bubbles in new issue of Blueprint

Wednesday, April 11th, 2012

Barney Bubbles feature in Blueprint May 2012There’s a feature on Barney Bubbles and the inclusion of his work in the current British Design: 1948- 2012 exhibition in the new issue of British architecture + design magazine Blueprint.

Visit Blueprint’s site here.

British Design is on until August 12; find out more here.

Barney Bubbles’ work in French exhibition this summer

Monday, April 9th, 2012
P1050090

//4 x 12" colour variants, back cover, My Aim Is True, Elvis Costello, Stiff Records, 1977.//

Selected works by Barney Bubbles will appear in  this summer’s group exhibition about the visual language of music, White Noise: Quand le graphisme fait du bruit (When graphics make the noise) at the 23rd International Poster & Graphic Design Festival in Chaumont, France, from May 26 to June 10.

White Noise is being put together by Sophie Demay and Étienne Hervy, the Chaumont festival artistic director and former editor of French graphics magazine Etapes, and includes contributions from a number of contemporary graphic artists – read more here.

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//Back cover + outer bag, Oora, Edgar Broughton Band, Harvest, 1973.//

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//Front covers, clockwise from bottom left: Neat Neat Neat, The Damned, Stiff, 1977; Damned Damned Damned, The Damned, Stiff, 1977; Boogie On The Street, Lew Lewis, Stiff, 1976 (not Barney Bubbles design); Save The Wail, Lew Lewis Reformer, Stiff, 1979; One Chord Wonders, The Adverts, Stiff, 1977; Whole Wide World, Wreckless Eric, Stiff, 1977.//

Here are some more of Sophie’s shots taken during a recent run-through of potential exhibits:

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