Archive for the ‘Posters’ Category

Barney Bubbles’ work in French exhibition this summer

Monday, April 9th, 2012
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//4 x 12" colour variants, back cover, My Aim Is True, Elvis Costello, Stiff Records, 1977.//

Selected works by Barney Bubbles will appear in  this summer’s group exhibition about the visual language of music, White Noise: Quand le graphisme fait du bruit (When graphics make the noise) at the 23rd International Poster & Graphic Design Festival in Chaumont, France, from May 26 to June 10.

White Noise is being put together by Sophie Demay and Étienne Hervy, the Chaumont festival artistic director and former editor of French graphics magazine Etapes, and includes contributions from a number of contemporary graphic artists – read more here.

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//Back cover + outer bag, Oora, Edgar Broughton Band, Harvest, 1973.//

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//Front covers, clockwise from bottom left: Neat Neat Neat, The Damned, Stiff, 1977; Damned Damned Damned, The Damned, Stiff, 1977; Boogie On The Street, Lew Lewis, Stiff, 1976 (not Barney Bubbles design); Save The Wail, Lew Lewis Reformer, Stiff, 1979; One Chord Wonders, The Adverts, Stiff, 1977; Whole Wide World, Wreckless Eric, Stiff, 1977.//

Here are some more of Sophie’s shots taken during a recent run-through of potential exhibits:

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Posters centre-stage of V&A’s British Design show

Tuesday, March 13th, 2012
Double sided fold-out tour programme/poster for Ian Dury & The Blockheads, designed by Barney Bubbles 1978.440

Promotional poster/double-sided fold-out tour programme for Ian Dury & The Blockheads, 1978. 59cm x 84cm.

Ian Dury With Love, 60in x 40in poster for the 1977 Live Stiffs tour, designed by Barney Bubbles.440

Ian Dury With Love, 60in x 40in poster, 1977.

These two stunning Barney Bubbles posters will be taking centre stage in the graphics section of the V&A’s forthcoming exhibition British Design: 1948-2012.

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Five Live Stiffs line up for the first time since 77

Sunday, August 28th, 2011
Five Live Stiffs posters designed by Barney Bubbles, photography by Chris Gabrin, 1977.

Posters, each 60" x 40" designed by Barney Bubbles for the October 1977 Stiff Records UK tour Live Stiffs. Photography: Chris Gabrin.

The series of five Live Stiffs posters designed by Barney Bubbles using Chris Gabrin photographs.

Exhibits in Chris Gabrin's exhibition at Dimbola Lodge, Isle Of Wight.

Chris Gabrin’s exhibition From Hear To Photography includes a doozy for Barney Bubbles fans – for the first time since their creation more than three decades ago, Bubbles’ huge Live Stiffs poster designs are displayed together.

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Barney Bubbles features large in NYC punk + post-punk graphics exhibition

Wednesday, July 20th, 2011
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Poster, 60in x 40in, Live Stiffs tour, 1977.

This Larry Wallis poster design – one of five of the stars of the 1977 Live Stiffs tour – is among 20 or so examples of Barney Bubbles’ work included in Rude & Reckless, the punk and post-punk graphics exhibition opening tomorrow (July 21) at NYC’s Steven Kasher Gallery.

The show samples the collection of New York resident Andrew Krivine, who started accumulating records, posters, flyers and ephemera during family visits to the UK in the late 70s.

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Poster for Vivian Stanshall + sketches for John Arlott/Peter O’Sullevan split LP

Monday, July 11th, 2011
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Poster, 900mm x 750mm, 1978.

Barney Bubbles produced this striking poster for a performance of Vivian Stanshall’s one-off show An Evening At Rawlinson End at the London’s Collegiate Theatre (these days the Bloomsbury Theatre) in October 1978.

The grid overlaid an image of Stanshall aboard his favourite vehicle – the bicycle – in character as the “still unusual” Hubert Rawlinson.

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Forever Now vinyl gatefold reissue

Tuesday, June 14th, 2011

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Next up in Vinyl 180’s reissue campaign is a gatefold version of The Psychedelic Furs’ 1982 album Forever Now.

Like the 2002 reissue, this will utilise Barney Bubbles’ front and back cover designs for the UK release rather than the CBS art department’s lash-up job for the album’s first American manifestation.

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Kosmo Vinyl on Barney Bubbles + Ian Dury

Saturday, May 21st, 2011

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Kosmo Vinyl has sent this photograph taken of himself with Barney Bubbles (centre) and an unidentified person (right)* in the west London offices of Stiff Records in 1977.

“I have no idea what we are looking at,” says Vinyl, the former plugger/publicist/ideas man for Dury and The Clash who later became a record producer.

“The way I’m holding whatever it is,  I’d say it’s a book or a magazine. I love the way it captures Barney’s enthusiasm and amazement.”

Vinyl has also provided some fascinating tales and insights into the creative partnership conducted between Bubbles and the late Ian Dury.

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Tick a tick a Timex: It’s the Blockhead watch!

Tuesday, March 29th, 2011

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I was delighted to receive this boxed Blockhead watch recently.

Of course the typogram on the watch face – which emerges at twelve-fifteen and three o’clock – was designed by Barney Bubbles at the behest of the late Ian Dury, who said in Will Birch’s No Sleep Till Canvey Island:

“I phoned him and said, ‘I want a logo. It’s got to be black and white and square’. Then I heard somebody in his office say, ‘Wow’ and he said, ‘I’ve done it’.”

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Barney Bubbles Inside Out in 100 seconds

Monday, February 7th, 2011

Barney Bubbles Inside out from Lisa Whitaker on Vimeo.

This 100-second career resume has been created by Lisa Whitaker, who is currently studying graphics at Leeds College of Art.

The DVD – housed in an “inside-out” sleeve and accompanied by a poster – came out of a course brief for a collection of 100 design objects in which she compiled album sleeves, including Bubbles’ design for Imperial Bedroom by Elvis Costello And The Attractions.

“I am fascinated by this talented man and his links to other creative people,” says Whitaker. “My moving image piece Barney Bubbles Inside Out pulls together the research and is aimed at graphic designers, record collectors and music lovers as a way of spreading the word about inspirational figure.”

Whitaker’s backgrounder on the project is here.

New edition of the Barney Bubbles book out now

Tuesday, October 26th, 2010

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The enhanced, revised and updated new edition of Reasons To Be Cheerful is published in the UK this week.

With a remixed cover, the fully illustrated 224-page second edition of the acclaimed biography features many new elements.

There are nearly 60 fresh images in the new book: letters, postcards and photographs as well as sketches, designs and finished artwork for record sleeves, posters, stickers, drumheads, etc.

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Paul Gorman has written a new author’s note and afterword summing up the impact of the first edition, and the commentary now includes a chat with foremost US designer Art Chantry about the relevance of Barney Bubbles’ artistic legacy to contemporary design. The new edition is published in the US in spring 2011.

A host of new contributors have been interviewed, from Wreckless Eric to “Record John” Cowell – Bubbles’ one-time room-mate and the half brother of Simon Cowell.

All chapters have been updated with freshly researched information, including never-previously published facts and quotes about Bubbles’ time at art school and his first full-time job at leading British commercial art studio Michael Tucker + Associates.

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As an EXCLUSIVE, we are offering signed copies of the new book only from this blog, priced £18.99 plus £5 p&p UK.

Mail for info on postage to continental Europe and rest of world.

To buy your copy click on the button below or visit HERE for details.

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