Archive for the ‘Graphic design’ Category

Photos from The Past The Present & The Possible: Barney Bubbles exhibition in Chaumont

Wednesday, June 13th, 2012
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//Photo: R. Pelletier.//

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//Photo: Pierrick Mouton.//

The Past The Present & The Possible was the title of the section in graphics music exhibition White Noise devoted to Barney Bubbles and curated by Reasons To Be Cheerful author Paul Gorman with artist/curator Sophie Demay and Etienne Hervy, director of the International Graphics & Poster Festival held every year in Chaumont, France.

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//Photo: R. Pelletier.//

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Kate Moross’s fabulous video triptych at White Noise

Wednesday, June 13th, 2012

Kate Moross's Barney Bubbles Triptych at White Noise in Chaumont, France May 26-June 10.

A popular element of the Barney Bubbles exhibition within the recent graphics/music group show White Noise: Quand Le Graphisme Fait Du Bruit was the cubicle housing designer Kate Moross’s Barney Bubbles video triptych.

Cubicle housing Kate Moross's Barney Bubbles Triptych at White Noise in Chaumont, France May 26-June 10.

Kate Moross's Barney Bubbles Triptych at White Noise in Chaumont, France May 26-June 10.

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Barney Bubbles exhibition opens on Saturday

Tuesday, May 22nd, 2012

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This Saturday (May 26) sees the opening at Les Subsistances gallery in Chaumont, France, of the exhibition Barney Bubbles: The Past, The Present & The Possible.

This is part of the group show White Noise: Quand le graphisme fait du bruit (When graphics make the noise), which is co-curated by Sophie Demay and Etienne Hervy and coincides with Chaumont’s 23rd International Poster & Graphic Design Festival.

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Ian Dury + JCC: The joy of songbooks

Thursday, May 3rd, 2012
Front, John Cooper Clarke Directory, 1979. Design Barney Bubbles.

//Front, John Cooper Clarke Directory, Omnibus Press, 1979. 10" x 7", 52pp (inc covers).//

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//Front, Ian Dury Songbook, Wise Publications, 1979. 12" x 9", 68pp (inc covers).//

In 1979 pop songbook design was shaken up by Barney Bubbles and the artist Derek Boshier, who had come together to collaborate on the group exhibition Lives.

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Bob Andrews’ Cracking Up grin

Friday, April 20th, 2012
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Top: Detail, Music press ad for The Rumour, 1979. Below: Detail, front cover, Cracking Up, Nick Lowe, 1979.

The collaged waving hand/face on the sleeve of Nick Lowe’s 1979 single Cracking Up is one of Barney Bubbles’ most recognisable creations, assisted into prominence by its usage on the front of Reasons To Be Cheerful.

The toothy grin was clipped from a photo of keyboard-player Bob Andrews, one-time colleague of Lowe’s in Brinsley Schwarz (and before that in 60s pop band Kippington Lodge) and one of Graham Parker’s collaborators as a member of The Rumour.

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Barney Bubbles in new issue of Blueprint

Wednesday, April 11th, 2012

Barney Bubbles feature in Blueprint May 2012There’s a feature on Barney Bubbles and the inclusion of his work in the current British Design: 1948- 2012 exhibition in the new issue of British architecture + design magazine Blueprint.

Visit Blueprint’s site here.

British Design is on until August 12; find out more here.

Barney Bubbles’ work in French exhibition this summer

Monday, April 9th, 2012
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//4 x 12" colour variants, back cover, My Aim Is True, Elvis Costello, Stiff Records, 1977.//

Selected works by Barney Bubbles will appear in  this summer’s group exhibition about the visual language of music, White Noise: Quand le graphisme fait du bruit (When graphics make the noise) at the 23rd International Poster & Graphic Design Festival in Chaumont, France, from May 26 to June 10.

White Noise is being put together by Sophie Demay and Étienne Hervy, the Chaumont festival artistic director and former editor of French graphics magazine Etapes, and includes contributions from a number of contemporary graphic artists – read more here.

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//Back cover + outer bag, Oora, Edgar Broughton Band, Harvest, 1973.//

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//Front covers, clockwise from bottom left: Neat Neat Neat, The Damned, Stiff, 1977; Damned Damned Damned, The Damned, Stiff, 1977; Boogie On The Street, Lew Lewis, Stiff, 1976 (not Barney Bubbles design); Save The Wail, Lew Lewis Reformer, Stiff, 1979; One Chord Wonders, The Adverts, Stiff, 1977; Whole Wide World, Wreckless Eric, Stiff, 1977.//

Here are some more of Sophie’s shots taken during a recent run-through of potential exhibits:

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Posters centre-stage of V&A’s British Design show

Tuesday, March 13th, 2012
Double sided fold-out tour programme/poster for Ian Dury & The Blockheads, designed by Barney Bubbles 1978.440

Promotional poster/double-sided fold-out tour programme for Ian Dury & The Blockheads, 1978. 59cm x 84cm.

Ian Dury With Love, 60in x 40in poster for the 1977 Live Stiffs tour, designed by Barney Bubbles.440

Ian Dury With Love, 60in x 40in poster, 1977.

These two stunning Barney Bubbles posters will be taking centre stage in the graphics section of the V&A’s forthcoming exhibition British Design: 1948-2012.

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Never published before: Rejected Barney Bubbles artwork for Generation X

Tuesday, November 29th, 2011
Gen X - reject 1007 copy

//Proof copy of unused front cover for single sleeve, Your Generation/Day By Day, Generation X, Chrysalis, 1977.//

Presented here for the first time in nearly 35 years, this is Barney Bubbles’ original artwork for the front cover of Your Generation, the 1977 debut single by Generation X.

The design was rejected because the photograph was considered too routine. What a shame. This is a typically high-impact Bubbles work  combining concise photographic presentation with audacious typography.

The quartet’s manager Jonh Ingham, the journalist who had been at the forefront of punk reportage, has dug it out from his archive exclusively for this blog.

“I cut, folded and glued it, so we could see what the sleeve would look like held in the hand,” says Ingham.

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Situationism: Reality you can rely on

Monday, October 31st, 2011
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//Selection of slides from Hawklords projection.//

With the legacy of Situationism the subject of a couple of posts on my blog, it seems timely to point up Barney Bubbles’ inclusion of frames from Christopher Grey’s Leaving The 20th Century: The Incomplete Work Of The Situationist International in his slide-show for Hawkwind’s post-punk offshoot Hawklords.

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