Thanks to Kosmo Vinyl for digging this out of his archive; a late 70s shot of performer Pearl Harbour strolling along east London’s Bow Road clutching a carrier bag bearing that ubiquitous Barney Bubbles design, the Blockhead logo.
Archive for the ‘Graphic design’ Category
Programme 1 was to be the second release on Utility, the label launched by music business manager Peter Jenner (Ian Dury, Pink Floyd etc) through Charisma in 1983.
As detailed here, the album purporting to be a broadcast by London pirate radio station BPR was conceived and performed by Keith Allen with appearances by others including the late actor David Rappaport.
The work of Barney Bubbles is celebrated in the cover story of the current issue of French graphics and visual culture magazine Étapes.
The Past The Present & The Possible was the title of the section in graphics music exhibition White Noise devoted to Barney Bubbles and curated by Reasons To Be Cheerful author Paul Gorman with artist/curator Sophie Demay and Etienne Hervy, director of the International Graphics & Poster Festival held every year in Chaumont, France.
A popular element of the Barney Bubbles exhibition within the recent graphics/music group show White Noise: Quand Le Graphisme Fait Du Bruit was the cubicle housing designer Kate Moross’s Barney Bubbles video triptych.
This Saturday (May 26) sees the opening at Les Subsistances gallery in Chaumont, France, of the exhibition Barney Bubbles: The Past, The Present & The Possible.
This is part of the group show White Noise: Quand le graphisme fait du bruit (When graphics make the noise), which is co-curated by Sophie Demay and Etienne Hervy and coincides with Chaumont’s 23rd International Poster & Graphic Design Festival.
In 1979 pop songbook design was shaken up by Barney Bubbles and the artist Derek Boshier, who had come together to collaborate on the group exhibition Lives.
The collaged waving hand/face on the sleeve of Nick Lowe’s 1979 single Cracking Up is one of Barney Bubbles’ most recognisable creations, assisted into prominence by its usage on the front of Reasons To Be Cheerful.
The toothy grin was clipped from a photo of keyboard-player Bob Andrews, one-time colleague of Lowe’s in Brinsley Schwarz (and before that in 60s pop band Kippington Lodge) and one of Graham Parker’s collaborators as a member of The Rumour.
Selected works by Barney Bubbles will appear in this summer’s group exhibition about the visual language of music, White Noise: Quand le graphisme fait du bruit (When graphics make the noise) at the 23rd International Poster & Graphic Design Festival in Chaumont, France, from May 26 to June 10.
White Noise is being put together by Sophie Demay and Étienne Hervy, the Chaumont festival artistic director and former editor of French graphics magazine Etapes, and includes contributions from a number of contemporary graphic artists – read more here.
Here are some more of Sophie’s shots taken during a recent run-through of potential exhibits: