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	<title>Comments on: Van Doesburg and the Dutch connection</title>
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	<description>The life and work of Barney Bubbles</description>
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		<title>By: Jan Vollaard</title>
		<link>http://www.barneybubbles.com/blog/archives/2855/comment-page-1#comment-632</link>
		<dc:creator>Jan Vollaard</dc:creator>
		<pubDate>Tue, 08 Dec 2009 10:18:00 +0000</pubDate>
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		<description>Theo van Doesburg posthumously met Barney Bubbles in Leiden last Sunday. 
I started my tribute to Bubbles by playing Ian Dury&#039;s &#039;Sex &amp; drugs &amp; rock &amp; roll&#039; and pointed out that, although there was no rock &amp; roll in the 1920&#039;s. 
Van Doesburg would have been delighted to hear this song played in his honour. In many ways he was the rock &amp; roll rebel, or punk artist, of his time. 
Dada never dies. 
A captive audience listened to me speak about the Alfonse Mucha-, Kandinsky- and Pollock-references in Bubbles&#039; work, before we reached the main course of the many van Doesburg-associated artists and styles that were touched upon in Barney&#039;s work. 
I made a display of album and 45 covers and many people stuck around to study the Do It Yourself wallpaper sleeves and the Blockhead watch that I got from Billy Bragg (thank you, Bill! It&#039;s always three o&#039;clock in my workroom).
If you can&#039;t come to Leiden before January 3, make sure to catch the van Doesburg &amp; The International Avant-Garde exhibition in London&#039;s Tate Modern, opening in February next year. 
Barney would have approved.</description>
		<content:encoded><![CDATA[<p>Theo van Doesburg posthumously met Barney Bubbles in Leiden last Sunday.<br />
I started my tribute to Bubbles by playing Ian Dury&#8217;s &#8216;Sex &amp; drugs &amp; rock &amp; roll&#8217; and pointed out that, although there was no rock &amp; roll in the 1920&#8217;s.<br />
Van Doesburg would have been delighted to hear this song played in his honour. In many ways he was the rock &amp; roll rebel, or punk artist, of his time.<br />
Dada never dies.<br />
A captive audience listened to me speak about the Alfonse Mucha-, Kandinsky- and Pollock-references in Bubbles&#8217; work, before we reached the main course of the many van Doesburg-associated artists and styles that were touched upon in Barney&#8217;s work.<br />
I made a display of album and 45 covers and many people stuck around to study the Do It Yourself wallpaper sleeves and the Blockhead watch that I got from Billy Bragg (thank you, Bill! It&#8217;s always three o&#8217;clock in my workroom).<br />
If you can&#8217;t come to Leiden before January 3, make sure to catch the van Doesburg &amp; The International Avant-Garde exhibition in London&#8217;s Tate Modern, opening in February next year.<br />
Barney would have approved.</p>
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		<title>By: Paul Gorman</title>
		<link>http://www.barneybubbles.com/blog/archives/2855/comment-page-1#comment-626</link>
		<dc:creator>Paul Gorman</dc:creator>
		<pubDate>Fri, 04 Dec 2009 08:27:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.barneybubbles.com/blog/?p=2855#comment-626</guid>
		<description>Dear Kitty provides an appetising entree to van Doesburg&#039;s work and his association with fellow artists and movements (with some great clips) here: http://dearkitty.blogsome.com/2009/12/03/theo-van-doesburg-nelly-van-doesburg-dadaism-de-stijl/</description>
		<content:encoded><![CDATA[<p>Dear Kitty provides an appetising entree to van Doesburg&#8217;s work and his association with fellow artists and movements (with some great clips) here: <a href="http://dearkitty.blogsome.com/2009/12/03/theo-van-doesburg-nelly-van-doesburg-dadaism-de-stijl/" rel="nofollow">http://dearkitty.blogsome.com/2009/12/03/theo-van-doesburg-nelly-van-doesburg-dadaism-de-stijl/</a></p>
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